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Ahh, the Kentucky Derby season in Louisville. That time of year where for two weeks most the city’s population negates work, drink the days and nights away and all in the name of horse racing’s classiest two minute affair. As exemplified below by my little drunken buddy who I found all snuggled up in a concrete nook near the corner of 3rd Street and Muhammad Ali at about 11:30 pm.  



At least he wasn’t driving, right?


So, I too wandered about my hometown on its most glorious weekend - a little more coherently than the average Joe, I might add - but nonetheless to see a few random Derby party-spots. 


Thursday, May 5th: Kroger’s Festaville at Waterfront Park

Waterfront park took on a new meaning to its name as receding flood waters left much of the ground oozing with river-aroma’d black mud. Now add an inability to get your favorite beverage/cocktail of choice in 20 minutes or less, and you get a disgruntled crowd. Although many were patient enough to bear the wait time, I decided standing in a line for 20 minutes or more for a drink was not something I can do if I'm going to properly review the event. Maybe someday these large waterfront concert organizers will figure out the service staff to guest ratio, because this night they clearly hadn’t. If you wanted a beer or cocktail you had better be patient and be willing to watch the concert from the line. Bummer.


The drink ticket line


One of three stage-area watering holes


Luck-fully the entertainment for the night were a pair of Kentucky’s most popular bands, Louisville’s The Pass, and Bowling Green’s Cage The Elephant. Event organizers hit the nail on the head by booking these two rising musical stars from Kentucky, otherwise I'm not sure people would have braved the mud and long lines. 



The Pass initiated the first true crowd roar upon walking out on stage and seemed a little surprised at the audiences gesture. They opened with “Treatment of the Sun” and somewhat initiated a dance party that would carry out for the remainder of their 45 minute set. An 80’s style dance party in mud I might add. The only bummer was they didn’t play, what I think is one of their best songs, “Criminal.”

 




Cage The Elephant almost didn’t go on. At least that is what I started to think when I saw an ambulance with its lights on drive backstage 30 minutes after The Pass had completely vacated the stage. All of the sudden I started thinking about my phone interview with lead-singer Matt Schultz last March, which I thought he was comatose’d during. There is no way this ambulance is here for any CTE member I thought to myself.

Then, finally, at about 9:45, a whole 45 minutes late, the Bowling Green, Kentucky-boys finally emerged from backstage to a shrieking and impatient audience. They quickly grabbed their instruments and belted out one of their hits “In One Ear.” The opening words to this song; “They say we ain’t got the style, we ain’t got the class...” proved to be oh-so-appropriate at this particular moment. But, musically, they do, and those lyrics really hit home for a home-state audience.



All of the sudden the wait seemed worth it as they opened with a bit of a bang, and then treated the audience to songs like “Back Against The Wall,” “Shake Me Down,” and “Ain’t No Rest for the Wicked” amongst others. 

The enitre band had quite a rambunctious stage presence the entire night and lead-singer Matt Schultz became reminiscent of how Jim Morrison of The Doors used to drunkenly stagger around stage, dodging his fellow band members. He was crowd surfing by the second song I might add.

One thing was for sure; CTE didn’t have to wait 20 minutes or more for drinks.

Part 2 of 3 coming soon....

Photos & Videos by Jason Ashcraft

** Jason Ashcraft is a freelance music writer who focuses on Kentucky's original music scene. Visit his blog at LouisvilleScuttlebutt.com or you scan this QR code on your smart phone to view the mobile site:

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About Jason Ashcraft

Jason is a life-long Louisville native who grew up in the Highlands, and now resides in an undisclosed fortified location somewhere in Louisville. He's followed Louisville's rock music scene for almost 10 years, first as a concert promoter, then an artist manager, and now a music critic and reviewer. He's one crazy Jarhead who'll literally publish anything his mind conceives on impulse, so don't always expect him to follow the traditional laws of journalism. He has intent of reviving Hunter S. Thompson's “gonzo journalism” if only his editors will allow it...which they don't usually. Head over to LouisvilleScuttlebutt.com for more published rhetoric.

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