69°F8:40 AM Last week we discussed The Beatles and the fanaticism surrounding them and their music. Today, we turn our attention to another musical icon: Elvis Presley. He is apparently a big deal. His impact on music is incredible and so on and so forth; whatever – I don't get it. I've never seen the appeal in his music. Of course, this is just a lowly film columnist's opinion, and those who love him seem to really love him. And good for them.
It is time, my friends, for another installment in the Wild and Woolly Film Series at the Clifton Center. This month is something special: the Clifton Center and Wild and Woolly Video have partnered up with Bicycling For Louisville to bring a double feature of fantastic films about... bicycles!
For years, I abhorred anything labeled Country Music. It brought to mind pop-country nightmares like Garth Brooks and Toby Keith. I liked the occasional Johnny Cash song, but it wasn't until I discovered artists like Bill Monroe and Townes van Zandt that I finally realized there was a whole new world of country music that could actually be considered respectable.
We have come a long way since Al Gore’s controversial documentary “An Inconvenient Truth.” Since then, the reality of Global Warming has become largely accepted (although, bafflingly, there are still a few naysayers) and “Green” has become chic. Recent years have seen a spat of environmentally-themed documentaries, from the Oscar-nominated “Gasland” (a fantastic film, by the way) to movies with local connections (see: “FLOW: For Love of Water” and “Carbon Nation”).
It is said that independent film is the future of the movies. It makes sense; while mainstream, big-budget film certainly is capable of producing some astounding works, just as often we see tons of needless remakes, reboots, and recycled formulas. Independent film gives greater opportunity for originality and new talent to shine through.
The western United States are home to some of the most beautiful national parks in the country. Tourists and outdoorsmen (and women) travel hundreds of miles for vacation and thrills. One of the most popular rock climbing destinations lies in this area. Nestled in the Sierra Nevada Mountains and the Yosemite Valley sits El Capitan, which extends to 3000 feet at its tallest point.
One of the monolith’s faces is known as The Nose. It was once thought impossible to scale, but is now one of the most popular spots to scale.
About a month and a half ago, we received the list of films selected for the Derby City Film Festival, the region’s most renowned celebration of independent cinema. The time is now nigh: the festival occurs this weekend at the Clifton Center, running from Friday, February 17th to Sunday, February 19th.
Movie lovers have a great resource in Wild and Woolly Video. While Blockbusters are closing all over the country, Wild and Woolly continues strong on Bardstown Road. Not only do they have an amazingly extensive collection of DVDs and Blu-Rays, but the staff is extremely knowledgeable about everything from the latest blockbuster releases to the most obscure and bizarre titles.
When thinking of classic American film comedians, what names come to mind? In my opinion, Charlie Chaplin sits at the forefront as the greatest comedian ever to live. His contemporaries cannot be ignored, though: greats such as the Marx Brothers, Buster Keaton, and Harold Lloyd, for example. The Clifton Center and Wild and Woolly Video celebrate Christmas tonight with a very special triple feature: three films by the classic slapstick comedy duo, Laurel and Hardy.
Bassekou Kouyate’s axe of choice is a ngoni lute, a string instrument native to Africa that appears to wield limited musical capabilities by its small, handmade stature. However, in his hands this instrument commands the large band of Ngoni Ba as they oversee packed stadiums and festivals across the globe.