69°F8:55 AM Don't be fooled by the little black dresses -- the ladies fronting bands at Uncle Slayton's Thursday night were more hellcat than Hepburn. Both Alabama Brown, opening with her band the Inside Outlaws, and headliner Lydia Loveless belied their lady-like exteriors with brash lyrics and rowdy, foot-stomping songs, mining the always-popular territory of the men who disappoint them (deeply) and the means one adopts to deal with them. This generally involves lots of drinking.
In spirit of The Great Escape Artist, Louisville’s Palace Theater was a fitting venue for the theatrical performance by Jane's Addiction last night. Accompanied by eccentric stage characters and props, they left no album untouched with a mixed set list to please any fan.
I was a little concerned for British rock band Fanfarlo on Thursday night. I knew they might have to compete with the much-anticipated Louisville v. Michigan State game, but I needn't have worried. With impeccable timing, the band was just setting up as Louisville put the final touches on its impressive win and a chant of C-A-R-D-S broke out from the outside patio. Now, everyone was ready for music.
There was a fairly small crowd at Uncle Slayton's last Sunday night; no doubt, many Louisvillians were still recovering from a party weekend that included both St. Patrick's Day and local March Madness contests. The Winterpills duo of Philip Price and Flora Reed were admittedly sleepless after a few days at SXSW and a long drive from Little Rock to Louisville. All in all, the band and the audience were in sync for a laid-back evening of beautifully rendered music in a cozy room.
You get the feeling Lyle Lovett and John Hiatt have done this a few times. Watching them on stage, you can almost imagine it's just two good friends who have got together to pick a little, rib each other, and share a few stories -- but instead of hanging out in their living room, they happen to be doing it in front of several hundred fans on a darkly lit stage at the Brown Theatre.
Before I get to the Ryan Adams show proper, performed at the Palace Theater on Monday night to a sold-out crowd, let me digress on a couple of matters. If you were one of the unlucky ones who dithered around and didn't get tickets, had to work, or were simply too late to the box office, you might have been planning to live vicariously via a fan's Twitter stream or your friends's text messages: "OMG. "Come pick me up.
Joe Bonamassa and his band played the Palace Theater Tuesday night, and when one takes the stage dramatically backlit in a blaze of floodlights, the performance really needs to measure up to the rock-star entrance. In Bonamassa's case, there's no need to worry, because you're unlikely to come across a more obviously gifted guitarist. Whether he's laying down blazing-fast licks with mystical dexterity or coaxing much more subtle and melodious notes out of his array of guitars, Bonamassa is mesmerizing to watch.
The Louisville Palace welcomed the Pixies last night into, according to Kim Deal, the most beautiful venue they’ve ever played. It’s hard not to be slightly overwhelmed being surrounded by its intricate sculptural architecture, pouring with details from walls to ceilings that could be mistaken for a European opera house.
The Jayhawks lineup that took the stage Friday night at the Brown Theatre hasn't toured together as a band since about 1995, when Mark Olson left the group. But over the years, the original players have circled back around again, much to the delight of longtime fans. As Olson reminded the audience, Louisville was one of the places that the early Jayhawks visited many times in the 90s; in fact, the city has a cameo of sorts in the song, "Miss Williams' Guitar," which they played as part of the night's setlist.