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    Between the Devil and the Deep Blue Sea
    by Black Stone Cherry
    Roadrunner Records
    Produced by: Howard Benson

    In Stores: May 31, 2011

    Kentucky-bred Black Stone Cherry has taken their shirts off for their junior release via Roadrunner Records. While extending their traditional heart-felt southern style of rock n’ roll, they’ve finally flexed their lyrical muscle with occasional salaciousness and plenty of blunt statements. 

    After five years of canvassing the U.S., Canada & Europe with bands like Black Label Society, Buckcherry, Nickelback, Def Leppard and Hinder, Black Stone Cherry now shows some of their tour-mates semblance. On “White Trash Millionaire” you’ll hear some Zakk Wylde-esque guitar chops and bold Buckcherry-ish lyrical decrees like “...Ain't got much and I don't care, count your cash and kiss my ass, this whole damn world gonna know I been here, I got two zig-zags and you know I'll share...”

    Their once southern-darling adolescence begins to bolt with songs like “Let Me See You Shake,” and “Blame It On The Boom Boom”, where BSC firmly plants their flag of sexual appreciation for the opposite sex. 

    They also introduce their first recorded cover song of Marshall Tucker Band’s “Can’t You See,” with plenty of their own influence added, and do manage to stay true to their polite Kentucky-boy roots on “Like I Roll,” where you get heart-felt admissions of “...I roll to the hills of my old Kentucky home, back to the place where my heart belongs...”

    Photo: Courtesy Roadrunner Records

    ** Jason Ashcraft is a freelance music writer who focuses on Kentucky's original music scene. Visit his blog at LouisvilleScuttlebutt.com or you scan this QR code on your iPhone or smart phone to go directly to the site:

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    About Jason Ashcraft

    Jason is a life-long Louisville native who grew up in the Highlands, and now resides in an undisclosed fortified location somewhere in Louisville. He's followed Louisville's rock music scene for almost 10 years, first as a concert promoter, then an artist manager, and now a music critic and reviewer. He's one crazy Jarhead who'll literally publish anything his mind conceives on impulse, so don't always expect him to follow the traditional laws of journalism. He has intent of reviving Hunter S. Thompson's “gonzo journalism” if only his editors will allow it...which they don't usually. Head over to LouisvilleScuttlebutt.com for more published rhetoric.

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